How Tesla kidnapped my imagination

older Tesla

There’s some­thing about the inven­tor Niko­la Tes­la that has strong­ly attract­ed artists—much more than his arch-rival Edi­son, let’s say. Tesla’s amaz­ing life and grand visions have pulled artis­tic cre­ations from those he captivates—a stream of operas, music, plays, nov­els and sto­ries, film and video. I know about this first­hand, because it hap­pened to me. Dis­cov­er­ing his sto­ry led me to write a libret­to for what became the opera Vio­let Fire.

Niko­la Tes­la, born in 1856 to Ser­bian par­ents in Croa­t­ia, was a vision­ary scientist/inventor who helped cre­ate the bedrock of our tech­no­log­i­cal world, with his ground­break­ing dis­cov­er­ies in elec­tric­i­ty, radio, robot­ics and even com­put­er cir­cuit­ry. His intense stream of visu­al­iza­tions led him to amass over 700 patents. Some of his visions, like his idea to pull elec­tri­cal ener­gy from the upper atmos­phere, still sound like sci­ence fic­tion. He was a charis­mat­ic fig­ure who moved through New York’s Gild­ed Age high soci­ety, befriend­ing Mark Twain and oth­ers, but lived and died alone.

From top: Nikola Tesla as an old man; a still from Violet Fire
From top: Niko­la Tes­la as an old man; a still from Vio­let Fire

When I first learned about him, Tesla’s sto­ry knocked me over. How could he not be uni­ver­sal­ly known? His visions seemed like those of a mys­tic, yet they had led to inven­tions that have had glob­al effects on how we live. With his strange, out­sized life and visions, it seemed to me that only an opera could hope to por­tray him. I cen­tered the sto­ry on Tesla’s rela­tion­ship with a white pigeon, whose death brought him a vision of pow­er­ful light. Vio­let Fire was brought to life by the beau­ti­ful, haunt­ing music of Jon Gib­son, and the con­tri­bu­tions of direc­tor Ter­ry O’Reilly, chore­o­g­ra­ph­er Nina Winthrop, and video design­ers Sarah Drury and Jen Sim­mons. Exact­ly sev­en years ago, on Niko­la Tesla’s 150th birth­day, my col­lab­o­ra­tors and I had the great hon­or of see­ing the pre­miere of Vio­let Fire at the Nation­al The­ater in Bel­grade.

Our opera isn’t the only one inspired by Tes­la. A large-scale opera, Light­ning in His Hand, has been mount­ed in Hobart, Tas­ma­nia. Melis­sa Dunphy’s song cycle, Tesla’s Pigeon, was recent­ly per­formed in New York, and a new opera by Jim Jar­musch and Phil Kline is in the works. As Tes­la is redis­cov­ered, I’m sure there will be more works inspired by him—maybe in art­forms we haven’t yet imag­ined. Hap­py Birth­day, Niko­la Tes­la.

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6 thoughts on “How Tesla kidnapped my imagination”

  1. A won­der­ful trib­ute — I feel grate­ful to know about this amaz­ing man who gave so much to all of us! Thank you — with lots of love!

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